Book reviews will be added at the beginning of each month.
Missie Peters: YouTube Review reviewed by Del Phillips
I like Missie Peters. She speaks my language and she shares some of my passions. Missie Peters is a performance poet, and according to her website, she turns poetry into theatre. Now, I may be biased a bit here; I do performance poetry occasionally and it’s a hard gig. She makes it appear to be an easy and confidently performed art. It’s anything but. Turning poetry into theatre is like dancing on the edge of a knife. Easy to do if the edge belongs to say, a butter knife. A bit more difficult and more fascinating when it’s performed on the edge of a finely honed filet knife. Missie dances on the sharp edge with ease. She takes you into the actual poem in her performance of This is not your Grandma’s Poetry”. The poem takes on a persona of its own and the poem displays its own genetic line with the confidence of knowing it may be related to Grandma’s poetry, albeit a very distant relation. While Grandma’s poetry is found in the parlour during a quilting bee, Missie’s poetry takes you into a bar where the drunken sex on the pool table defines the difference between the quilt and the felt. Missie communicates, celebrates, infatuates and intoxicates the listener all in one sentence. It’s an easy delivery that washes over you, lulling you with her pitch, tone and metre. You catch the gist and you follow the list of points and insights and perceptions and find yourself still thinking about the presentation long after it’s finished.
I am a Science Fiction Geek is one of my favourite pieces. I’ve seen her perform two versions. One has the patter of the stand up, the other is a spacey delivery with airy and atmospheric keyboards while she appears with a grocery list of just what her SF geekiness entails. She hooked me on that one. I of course am a Science Fiction geek too. It’s what I read, it’s what I write, it’s where I go to temper the crap happening in my life. Thanks Missie, for the line “The meek may inherit the Earth, but the Dreamers will inherit the Stars.”
This woman of words and performance is an Islander too. Although she hails from a bigger island – you know, the one with Victoria jammed into the end of it – she will be a must see and must hear performance this July on Denman Island. Check out her simply accessed webpage, follow the links to her YouTube videos. I look forward to seeing Missie Peters at her presentation. See more here
Andrew Struthers: The Green Shadow reviewed by Jane Guest
Andrew Struthers began his career as a cartoonist for the Georgia Strait, and The Green Shadow was first published as a serial in it. Since then he has written other books including The Last Voyage of the Loch Ryan and Around the World on Minimum Wage, and produced articles and documentaries.
The Green Shadow is his account of his life in Tofino including working at the fish plant, building a dream house in a commune, working as a deck hand fishing for sockeye, working with a friend fishing for shrimp, and getting involved with the logging blockade. His stories about his triumphs and disasters are hilariously funny, interrupted by stretches of introspection and philosophical musings. His love life is also full of complications.
The book was written over twenty years ago about a Tofino that was very different from the popular tourist destination it is today. We can still dream about empty beaches, an isolated village filled with eccentric characters and extraordinary events, and living in a shack built from driftwood without a care in the world.
Hasan Namir: God in Pink reviewed by Danni Crenna
The story takes place in modern Baghdad but could be in many times and places. There is an agreed-upon religion, an attitude to those who are different, and no other way is possible …. might even be US in a few years if the new Trump regime takes hold.
We see the story through the eyes of a young gay man who is trying to please his older brother and his religious leaders but knows he would not be true to himself if he does. We see his dreams and fantasies and also his reality. But we also see the story through the eyes of a religious leader who struggles to help while he struggles with his own demons.
It is an interesting dilemma in today’s world. We pride ourselves on our open-mindedness in Canada but we also have our bigots and hate-crimes. It will be interesting to hear Namir’s own story when he comes to the Readers and Writers Festival in July.
Emily St. John Mandel: Station Eleven reviewed by Annette Reinhart
“Delano Island is between Vancouver Island and mainland British Columbia, a straight shot north from Los Angeles….. Every year there are approximately two hundred days of rain. There’s a village of sorts by the ferry terminal: a general store with one gas pump, [….] a real-estate office, an elementary school with sixty students, a community hall with two massive carved mermaids holding hands to form an archway over the front door and a tiny library attached.”
Our own wee island serves as a starting point for the lives of two of the main characters in Denman-raised Emily St. John Mandel’s science fiction novel, Station Eleven. In this story, there are two different global realities – pre and post-world apocalypse – that occur within a short time period (20 odd years). This sudden change is due to a pandemic that wipes out most of the world’s population. The plot weaves back and forth between idyllic beginnings on our west coast, a high-flying life of fame and fortune in east coast cities, and the primitive realities of the few survivors in the new devastated world after the global collapse. Many narrative threads link the two worlds, including a multi-volume graphic novel called Station Eleven written and drawn pre-devastation and carried around by a survivor of the pandemic. As the title predicts, Station Eleven comes to play a large role in the outcome of the novel.
The author uses the apocalyptic divide not so much to do the usual sci-fi thing which is to paint a vivid picture of a devastated world and dwell on the intense suffering and struggles to survive in it. Instead, she uses this disaster as a vehicle or device to build the narrative – the story weaves back and forth between the two periods tracing the lives of the characters who have survived and using their stories to build up a larger story that carries them all within it. It’s a story twinned on both sides of the societal collapse with Shakespearean stage actors focused on bringing art and beauty to the world. The motto “Because survival is not enough” (taken from Star Trek) is held by the caravan of performers and musicians intent on bringing the best of the old, functioning world into the devastated post-pandemic world. As the author says in an interview, “We have an instinct for art, even in the midst of catastrophe, and you see that in any of the most desperate places on Earth: people play music in refugee camps and put on plays in war zones.”
This ambitious book is multi-layered, and comes from several viewpoints; it’s beautifully constructed with lots of links and clues between the times and characters to keep the narrative cohesive and the reader turning the pages. The book has gathered great reviews, awards (finalist for the National Book Award for Fiction) and caused a three day bidding war amongst six publishers before being sold to Alfred A. Knopf.
Emily St. John Mandel has crafted a nested story that is creative, engrossing and brings a thoughtful perspective onto a fallen world. Her writing is rich and brings characters and situations through cleverly invented and fully imagined times. “I’ve always been interested in writing about memory, and in what it means to live honorably in a damaged world.” She currently lives and works in New York City … but it all really started here … on our own Manhattan-sized island.